japonisme

11 May 2010

will we ever really know kimono at all?

THE WOMAN WHO LOVED WORMS

(from a Japanese legend)

Disdaining butterflies
as frivolous,
she puttered with caterpillars,
and wore a coarse kimono,
crinkled and loose at the neck.

Refused to tweeze her brows
to crescents,
and scowled beneath dark bands
of caterpillar fur.

Even the stationery
on which she scrawled
unkempt calligraphy,
startled the jade-inlaid
indolent ladies,
whom she despised
like the butterflies
wafting kimono sleeves
through senseless poems
about moonsets and peonies;
popular rot of the times.

No, she loved worms,
blackening the moon of her nails
with mud and slugs,
root gnawing grubs,
and the wing case of beetles.




And crouched in the garden,
tugging at her unpinned hair,
weevils queuing across her bare
and unbound feet.

Swift as wasps, the years.
Midge, tick and maggot words
crowded her haikus
and lines on her skin turned her old,
thin as a spinster cricket.

Noon in the snow pavilion,
gulping heated sake
she recalled Lord Unamuro,
preposterous toad
squatting by the teatray,
proposing with conditions
a suitable marriage.

Ha! She stoned imaginary butterflies,
and pinching dirt,
crawled to death’s cocoon
dragging a moth to inspect
in the long afternoon.

Colette Inez


“The Woman Who Loved Worms” from Getting Under Way:
New and Selected Poems by Colette Inez
.

(Story Line Press, 1993)


dedicated to janejohn

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05 April 2010

the inventive arts • (the calendars)

MYA CALENDAR

Monks of the Years
for Zodiacal Ears


Actuary, Fritillary, Mush
Mandrill, Mace, Jejune,
Jelly, Aghast, Septic Ember,
Oak Toner, Remember, Distemper









Device to
Mesmerize the Monks


30 days hath septic ember
mandrill jejeune and remember
all the rest have 31 dyes
of different color:








Actuary: puce
Mush: buff
Mace: rose
Jelly: lime
Aghast: jade
Oak Toner: rust
Distemper: slush









except Fritillary which howls
28 cold tones of dust.

Colette Inez

“Mya Calendar” from
Getting Under Way:
New and Selected Poems
by Colette Inez
.
(Story Line Press, 1993)

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